SOLD Stunning Hybrid: Twice Watercolored 1790 Shaw & Nodder Copper Engraving of Sea Anemone (#2) unpainted lead it’s pure gorgeousness—first in terms

it’s pure gorgeousness—first in terms of the structure

There is a bit of a pink substance (almost like pink eraser) caught in between nails here and there

I also found a record of her listed as a school teacher in Springfield Vermont in 1870

and with a dramatic crook

and with its big knobs on either end

SOLD Stunning Hybrid: Twice Watercolored 1790 Shaw & Nodder Copper Engraving of Sea Anemone (#2) unpainted lead it’s pure gorgeousness—first in termsThis feels completely otherworldly to me and I can't stop looking at it. The copperplate engraving is by Fredrick Nodder, from George Shaw's renowned The Naturalist's Miscellany (1789 1813; this plate 1790) but it is the hand coloring that makes this one especially special, and singular, here not one but two iterations of applied watercolor. I know from the dealer I purchased this from that the specific volume it came from featured annotated endpapers